Відео

This is not with the Czeck Philharmonic. Rather, the Vienna Philharmonic. Steude on principle violin. I have the radio broadcast recording. Best I've ever heard with Harnoncourt.

Potser el millor cantant català romàntic, el disc Bac de Roda, no estat superat

There's a chapter devoted to this work in "Janacek: his life and works," by Jaroslav Vogel, London: Paul Hamlyn, 1962, pp. 213-217. It's a setting of a poem by Jaroslav Vrchlicky, based in turn on writings of the Abbot Joachim de Fiore (d.1202). Vogel tells us, "...out of this muddled and rhetorical poem, Janacek created a deeply-felt declaration of faith in mankind..." Vogel also mentions that Joachim's work was "adapted" in 1527 by Hans Sachs.

Brutal!

lav chashak uni arshaky

1:28 points to Wagner.

sodelicious..............

Boulez was famous for the pluperfect intonation he insisted upon and it stands out even in easier music like this.

És el més preciós i sublim de la nostra cultura, tant el poema com la interpretació, i no sé perquè passa tant desapercebut. Com més l'escolto més m'emociono. Felicitats.

Toute l’invention de Haydn magnifiquement respectée et mis en lumière par un grand Boulez.

Хорошее исполнение: все очень хорошо с динамикой, и за счет этого музыка живая, интересная и часто непредсказуемая. Спасибо!

Boulez was as great director as composer. His Haydn versions and his Gurre Lieder version are unbelieveable, genial.

What is the source of the text?

Thank God B didn't do much Haydn and Mozart.

My very favorite version -- Robert Johnson music... Alfred Deller sings.

Grande,excelente interpretacio'n.Haydn y P.Boulez!!!!!!!.-

It's great hearing Boulez outside his usual repertoire.

13:45

My reference performances of the "London" Symphonies are Colin Davis's. That's not to take anything from Boulez. I do find his tempo in the 2nd movement to be a bit brisk.

...especially the Second movement!..

Me parece que es una gran interpretacio'n!. Nota: en 4.10 se salta a otro Mov,que la'stima.-

11:03 surprise

This symphony is really wonderful. In particular, the finale is divine!!

I. Adagio - Allegro con spirito 00:00 - 08:59 II. Andante più tosto allegretto 9:00 - 18:54 III. Menuetto 18:56 - 24:29 IV. Finale: Allegro con spirito 24:31 - 29:53

La entrada en el primer allegro 2:08 es dudosa. Impropia de Boulez, como la misma obra.

Drumroll solo suppressed in a symphony which surname is Drumroll ? It"s all Boulez.

👎🏼👎🏼👎🏼👎🏼👎🏼

... listen also to the tragical and excentric version of Martinon with the Chicago Symphony - the work seems fare another composition ... a very great reading, too

Brings the best in musicpracticisians above. Great solo of the leader in the second movement

Any information concerning this rarely (if ever) heard work would be appreciated!

2:09

Pierre Boulez dans haydn est un "couplage" que l'on n'attendait pas. mais finalement ii n'est pas déraisonnable. Le regard perçant analytique de Pierre Boulez est bien fait pour s’adapter au langage de Haydn,souvent ascétique pour mettre en valeur les structures de ses oeuvres. Bien entendu, c'est un chef d'oeuvre d'interprétation. Boulez sait en particulier modeler à l'extrême les thème haydniens et, bien entendu, mettre en valeur la structure.

Drei Kantaten sind von Janacek überliefert: diese hier (das ewige Evangelium), dann Amarus und natürlich Tagebuch eines Verschollenen. Drei expressive Mini-Opern, in denen die Tenöre schwere Sachen zu singen haben. Die übliche YouT - Schlamperei: man erfährt nicht, wer da singt!

Although Haydn always seems to play a secondary role to Mozart, IMO his symphonies nos. 103 and 104 are the pinnacle of the so called "classical" period - Mozart never wrote any instrumental music that surpasses theses. Love the modern instruments so much richer and fuller sound than the scrawny "period" bands.

Otra gran obra coral de Leos...RMF

La'stima que el Maestro Boulez se fue',sin dejarnos alguna otra grabacio'n de las Sinfs. de Haydn.-

Haydn y Boulez,hacen una excelente pareja,compositor e interprete.Para mi,' su version de la N.103 con la Chicago Phil es la mejor.Y la escucho desde hace varios anios.Esta N 104 grandiosa,la'stima que es solo ,el I mov !.-

With clarity, balance and lightness of touch like this from a large, modern symphony orchestra, who needs authentic instrument performances ? Apart from a slightly ponderous Minuet, I find the tempi ideal. I just question why he had to put in a rall. leading up to the pause at the end of bar 156 of the second movement (and why everyone seems to make the descending semiquaver thirds in woodwind two bars later staccato - my score indicates legato). He could have allowed the timpanist more of a dominant 'role' in its two solo spots, but we'll never know Haydn's intention. Definitely one of the truest performances of one of my top dozen Classical symphonies. Thanks, UA-cam, and laserpblanca.

Con vino tinto y unos buenos ravioles,digo: Gran Interpretacio'n,herencia que nos deja el Maestro P.Boulerz!!!!!!!!!!!!!!!.-

Healthy music. Sane. Perfect for a summer's day.

音構造が透き通って見える美演ですね。ブーレーズらしいです。

Amazing to think that Haydn was an old man when he wrote this work (a very old man for the C18), and yet this work has all the daring, inventiveness and imagination of a young person, setting out to break new ground. Such extraordinary sounds, which still sound contemporary today (from the very first notes on the timpani). What craftsmanship and wealth of ideas!

Bravo Maître, c'est de loin ce que j'ai entendu de mieux.

SUPERBE A quand un enregistrement sur CD

Esta interpretacio'n del I mov,es insuperable.Potente sonido,dramatica y misteriosa.Genios,Orquesta,Director y Compositor!!.-

this symphony is so beautiful!!! Haydn is genius!!!

Robert Johnson (1583-1633)

Creo,que es una de las mejores,por no decir la mejor interpretacio'n.Maestro Boulez,bravo!!!!!!.-

C'est la version de Robert Johnson ?

Pierre Boulez è un direttore immenso, grandissimo. Se si vuole, ha un repertorio non vastissimo, legittimamente condizionato in questo dall'essere anche un grande compositore d'avanguardia, ma dove tocca è rarissimo che non esca oro puro.